music__lilypond/bluelady/bluelady2.ly

\version "2.10.25"
%{
@title     Blue lady part 2
@copyright 1978 (77 ? 79 ?) Frederic G. MARAND
@license   Tous droits réservés
@version   2011-11-14

Le premier thème est depuis souvent une basse de piano et non une voix seule
%}

\header {
  title      = "Blue lady"
  subtitle   = "part 2"
  composer   = "FGM"
  copyright  = "ca 1978"
}

\paper{
  %page-top-space = 3\mm
  between-system-padding = 3\mm
  between-system-space = 0\mm
  foot-separation = 0\mm
  %ragged-bottom = ##t
  %page-limit-inter-system-space = ##t
  %page-limit-inter-system-space-factor = 1.1
  %page-count = 1 % works but throws an error !
}

% -- Intro
themeA = {
  %\mark "themeA"
  \repeat unfold 2 { e8   e8    e'8   a,8   a'8 c,8   c'8 c,8 }
  \repeat unfold 2 { fis,8 fis8  fis'8 a,8   a'8 c,8  c'8 c,8 }
  \repeat unfold 1 { f,8   f8    f'8   a,8   a'8 c,8  c'8 c,8 }
}

themeBA = {
  %\mark "themeBA"
  a4. c4 b4 a8
  e'4    d8 c8~      c8 b8~     b8 c16 b16
  aes4   aes8 e'8~   e4         r4
  aes,4  aes8 e'8~   e8 aes,8   d8 f8
  f4     g8   f8~    f8 e8~     e8 f16 e16
}

themeBB = {
  %\mark "themeBB"
  d8~ d16 c16~   c8 d16 c16
}

themeC = {
  %\mark "themeC"
  fis4      fis8 c'8~  c8  b8   ees8 c8
  fis8 dis8 a'8 fis8   c'8 a8   e'8  c8
  a,4. c8  b4 a8 e'8~
  e2 r2
}

chordsBA = \chordmode {
  a1:m a1:m
  e1 e1
  d1:min d2:min
}

chordsC = \chordmode {
  r1.
  e2.:min c2.
  d2. g2.
  c2. a2.
  b2. e2.:min
}

fluteA = {
  %\mark "fluteA"
  b4. e4.     c4.~     c4   c16 b16
  a4. d4.     b4.~     b4   b16 a16
  g4. c4 b8   a4 g8    fis4 e8
  fis4. b4 a8 g4 \times 2/3 { fis16 g16 fis16 } e4 r8
}

% Attention, transposition -2
arpeggioA = {
  %\mark "arpeggioA"
  \override Staff.Rest #'style = #'classical
  r2.^\markup { "Clarinette en H" }
     r4 r4 r8 r16 cis16

  a8--_\mf fis8 cis'8   a8-- fis8 d'8       a8-- fis8\< d'8      a8-- fis8 b8\!
  gis8--_\f e8 b'8      gis8-- e8 cis'8     a8-- e8 cis'8        a8-- e8 a8
  fis8--\< d8 a'8       fis8-- d8-- b'--\!  fis8--_\ff dis8 b'8  fis8-- dis8\> gis8
  eis8-- cis8\! gis'8   eis8--_\f cis8 a'8  fis8-- cis8\> a'8    fis8[ cis8 r16 cis'16_\p\!]
}

% Attention, transposition -2
arpeggioB = {
  a8--_\mf^\markup { \rounded-box { B } }
     fis8 cis'8   a8 fis8 d'8     a8 fis8 d'8     a8 fis8 b8
  gis8 e8 b'8     gis8 e8 cis'8   a8 e8 cis'8     a8 e8 a8
  fis8 d8 a'8     fis8 d8 b'      fis8 dis8 b'8   fis8 dis8 a'8
  fis8 d8 a'8     fis8 d8 gis8    f8 cis8 gis'8   f8 cis8 cis'8]
}

bassA = {
  %\mark "bassA"
  e4.    e4.    a4.   a4.
  d,4.   d4.    g4.   g4.
  c,4.   c4.    fis4. fis4.
  dis4.  dis4.  e4.   e4.
}

% === et maintenant la partition proprement dite ======
\score
  {
  \new StaffGroup <<
  \set StaffGroup.systemStartDelimiter = #'SystemStartSquare
  \new ChordNames % ---- accords ----------------------
    {
    \set chordChanges = ##t

    % skip themeA
    R1*5

    % skip themeBA
    \chordsBA

    \chordmode {
      \repeat unfold 2 c1:dim
      \repeat unfold 2 a1:m
    }
    \chordsC
  }

  % -- La ligne d'aigues------------------------------------------------------
  \unfoldRepeats
  \new Staff {
    \tempo 4 = 132
    \set Staff.midiInstrument = "clarinet"
    \clef "G"
    \key c \major
    \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible

    % FIXME; the F# before 12/8 always appears.
    \override Staff.KeySignature #'break-visibility = #begin-of-line-visible

    \time 4/4 \relative c    \themeA  \break % 5*4/4

    \time 4/4 \relative c''  \themeBA \break % 5*4/4
    \time 2/4 \relative c''  \themeBB        % 1*2/4

    \time 4/4 \relative c'   \themeC  \break % 4*4/4

    \set Staff.midiInstrument = "flute"
    % \set Staff.instrumentName = "Flute"
    \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
    \time 12/8
    %\transposition c
    \key g \major
    r1.^\markup {
      \rounded-box { A } "Flûte"
    }
    \relative c'' \fluteA
  }

  \unfoldRepeats
  \new Staff
    {
    \tempo 4 = 120
    \set Staff.midiInstrument = "clarinet"
    \clef "G"
    \key a \major
    \transposition bes

    R1*5 R1*5
    \time 2/4
    R2*1
    \time 4/4
    R1*4
    \time 12/8
    \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
    \relative c'' \arpeggioA
    \relative c'' \arpeggioB
}

  \unfoldRepeats
  \new Staff
    {
    \tempo 4 = 120
    \set Staff.midiInstrument = "acoustic grand"
    \clef "F"
    \key g \major
    \transposition c

    R1*5 R1*5
    \time 2/4
    R2*1
    \time 4/4
    R1*4
    \time 12/8
    r1.
    \relative c \bassA
    }
  >>

  \midi {
    % tempoWholesPerMinute = #(ly:make-moment 180 4)
    \context {
      \ChordNameVoice \remove Note_performer
    }
  }

  \layout {
    % Use per-staff \mark instead of per-score
    \context {
      \Score
        \remove "Mark_engraver"
        \remove "Staff_collecting_engraver"
    }
    \context {
      \RemoveEmptyStaffContext
    }
    \context {
      \Score
        \override VerticalAxisGroup #'remove-first = ##t
    }
    \context {
      \Staff
        \consists "Mark_engraver"
        \consists "Staff_collecting_engraver"
    }
  }
}